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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院天生冤家我是你的主宰摩西密码红与黑2000青春珊瑚岛火鸟出击关于我的真相女巫斗恶龙坡道上的家四大名捕之入梦妖灵不能犯降龙伏虎小济公 第一季幸运七人组特别篇新干线--93年夏天的故事国语看见你就笑迷局之拨云见日报告老板！之权力游戏特别篇万万么想到吉米和斯蒂格斯新秩序嫉妒2013怪侠天才与白痴罪与罚黑林城堡之犬La caída
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院天生冤家我是你的主宰摩西密码红与黑2000青春珊瑚岛火鸟出击关于我的真相女巫斗恶龙坡道上的家四大名捕之入梦妖灵不能犯降龙伏虎小济公 第一季幸运七人组特别篇新干线--93年夏天的故事国语看见你就笑迷局之拨云见日报告老板！之权力游戏特别篇万万么想到吉米和斯蒂格斯新秩序嫉妒2013怪侠天才与白痴罪与罚黑林城堡之犬La caída